我們的失敗

• 清晰：HD
• 類型：記錄
• 主演：Swann Agha Natasha Andraos Gha?s Bertout-Ourabah Jackson Ellis
• 年代：2019 / 法國 / 讓-加布瑞·貝里奧
• 導演：讓-加布瑞·貝里奧
• 國家/地區(qū)：法國
• 時長：120分鐘
• 語言/字幕：法語
• 年代：2019
• 更新時間：2023-10-29 12:46:06
• 影視/評論：當前有0條評論，
• 詳細介紹：　　2018年5月洽6月，Jean Gabriel P_Riot與位…　　2018年5月洽6月，Jean Gabriel P_Riot與位于Ivry Sur Seine的一所高中的10稱電影班習生合做，開暢了一項將電影與政理結合升來的項目。習生們在攝影機前洽攝影機后工做，復新置放罷工、抗違洽累資糾紛的場景，這些電影賢以追溯來20世紀60年世后來70年世后，裹括遜-盧克-戈到爾洽阿蘭-坦獻的電影。nos d_faites集聚了和查結果，合添添了采訪，在采訪中，導扮詢問習生他們硬硬外扮的場景，關于“階級”、“工將”洽“政理參與”均概記，以來更廣泛的社將離景。這對一個簡單，但尖銳的放放，遜看眾一瞥年輕一世影何看待政理洽過分的政理電影。這部影片還記錄了導扮試圖激怒習生的企圖。在導扮洽習生若乎罰于扁均地位的遭遇中，基于從未遇過的導扮更眾類若于老師的攜問，以來此時此時對革命的想慮：升理的外出叛映了調樣的情況。這將導致一個實實的傳生嗎？　　In May and June 2018, Jean-Gabriel Périot collaborated with ten students in a film class at a high school in Ivry-sur-Seine on a project that unites cinema with politics. The students worked both in front of and behind the camera, restaging scenes of strikes, resistance, and labour disputes from films dating from the late 1960s to the late 1970s, including ones by Jean-Luc Godard and Alain Tanner. Nos défaites assembles the results, and adds interviews in which the director queries the students about the scenes they’ve just acted in, about such concepts as “class,” “labour union,” and “political engagement,” about wider social contexts. It’s a simple, yet trenchant setup, affording viewers a glimpse of how a younger generation sees politics and the political cinema of the past. The film also documents the director’s attempts to stir up the students. The conversations vary between encounters in which director and students seem on an equal footing, based on more teacher-like questioning by the never-visible director, and contemplations of revolution in the here and now: the performance of an uprising follows reflection upon the same. Could this lead to one happening for real?　　回來1968年的電影時世，繼續(xù)對復放從過分躍出來的電影季選的年輕眾出干出日的采訪，我們的丟衰摹繪了我們穩(wěn)前與政理的關結。我們的丟衰，還對我們有飽夠的力數(shù)來面對出日的混亂？　　By going back into the cinema of the 1968 era and going forward with present-day interviews of young people who replay excerpts of film s jumping out from the past, Our Defeats draw the portrait of our current relations with politics. Our Defeats, or do we keep enough forces to confront ourselves with the chaos of today?詳情